In “The Usual Desire to Kill,” Camilla Barnes finds the humor in a daughter’s aggravating visits to her aging parents at their run-down home in rural France.
Sarah Snook, camera operators and other crew members bring to life multitudes on Broadway via an elaborate synthesis of live action, live video and recorded video.
It’s called “Doggerel” for a reason: “These are poems that speak to everyone, that pun and riff and make fun of themselves a bit as they reveal something about the world.”
One of the first to write seriously about a fraught subject, she also played a major role in developing the field of film studies and feminist film theory.